Monday, December 13, 2010

Collaborative Mural Project

So far, things have been going great in our collaborative mural project. John, Eric, Daniel and I have agreed upon an idea that has a lot of potential to add greatly to the cafeteria. We have decide to dilute paint and dip round sponges in said paint. We will then drop the sponges onto our canvas, cut a piece of realistic plastic fruit in half, and match up the color of the paint spatter to the color of the fruit. In a perfect world, this will look like somebody has thrown food at the canvas. Otherwise, we could try to pass it off as abstract. We are hoping for the former, but out painting techniques are risky and we could easily end up with the latter. Eric, Daniel, and I have already tested this method on paper, and the effect created is excellent.

Monday, November 15, 2010

Term 1 Art Principles Reflection

This term in Art Principles has been terrific. I've been able to hone my artistic skills dramatically. Before Art Principles, I was able to draw with a steady hand, but I only saw what was in front of me, and copied it. I learned to take what I was given, and make it into a real work of art, exemplified in the Found Object Project and the Found Image Project. Also, rather than starting out precisely, I learned to take a mess of pencil marks and shape it into a realistic picture, Like in the Drop Everything and Draw with sticks. These are just a couple of skills I've honed or acquired this term. Though I've been extremely satisfied with my work, I now see that many of my Drop Everything and Draw projects are incomplete due to running out of time, but I will try to put in extra hours in the future. I'd like to thank Ms. Roberts for a great term, and I'm excited for next term.

Glass Half Full Project

In this project, we were supposed to choose one general theme and reflect its good and bad attributes. I chose winter, because my feelings towards winter are very ambivalent. I love skiing, wrestling, snow fights and watching basketball, but I hate dirty snow and the gloominess that seems to take over Massachusetts. For the positive attribute, I portrayed a skier going off of a jump. I love skiing and the picture looks fun. In contrast, as the negative attribute, I have a pair of lonely footprints adjacent to a cold, icy road. I struggled making the road look gloomy rather than peaceful, since it was supposed to be a negative. Ms. Roberts helped me a lot by telling me to contrast one side of the road more by making it lighter. I think that by using white charcoal, I accomplished what I wanted in my picture.

Tuesday, November 2, 2010

Chair Drawings

This project was the combination of almost every project we've done. We had to get the shininess of a vinyl chair, as well as the sturdiness of its wooden base. In addition to that, we had to draw a wrinkled coat on top of the chair. I spent too much time on my chair, so I wasn't able to finish the project, but if I had more time I think it would have looked really good.

Thursday, October 28, 2010

Principles of Design

The work of art I looked at with my partner was called "Dempsey & Firpo." by George Bellows. It depicted one boxer knocking another out of the ring. There was Emphasis on the boxers because there was light on them and they were in the middle of the ring. The picture's balance was asymmetrical and movement was implied. It was clearly shown in the punch thrown and the boxer falling. There was proportion on the picture, because audience members were at different distances. All the people were grouped together, and the light shone in a way to contrast the boxers from the audience members.

Tuesday, October 26, 2010

Fabric Drawings

This exercise started out difficult for me. It required us to make vague shapes which we would gradually transform into fabric. I guess the concept of vague shapes didn't compute with me while drawing fabric, because of all of the intricate folds. It was different than drawing the sticks, because rather than adding clarity to a mess, we had to use shading to make folds out. Rather than shading specific parts, it was more comfortable for me to shade all of the cloth and use an eraser point to make the drawing appear to have shadows. Overall, the end-product was good, but unfinished.

Monday, October 25, 2010

Found Object Sculpture Reflection Discussions

I didn't get much feedback on my projects, mostly because they were supposedly perfect and had nothing to improve. The only feedback I got was, "That's cool." My group members both had cool projects, but Sammy and Mandy's Sailboat was especially cool because of the moving aspect of the project, involving the gears of a stereo. My group's discussion didn't do much as far as improving my current work, but did however give me ideas for projects in the future.

Wednesday, October 20, 2010

Sculpture Reflection

The idea of this project is not to have an idea and find materials that work, but to get inspiration from the objects you are given. John and I had a big box of technology and random objects, and we were told to look for objects that looked like something, objects provocative of ideas. There was a piece of a scanner in the box that one of us said looked like a gun. I took this scanner, and hot glued a phone battery case to the bottom, a piece of a hanger to the middle, and something that looked like a trigger in between. It came out looking exactly like a gun.

Extended Pour Painting

For my extended pour painting, I took the element of drip-painting from my original pour painting. I used this concept to create a log, with brown paint. I went over the drips with further diluted paint, so as to preserve the lines made by the dripping. It was a fun project, but the log alone seemed plain. Over that log, I stuck on non-dry clay to make a hatchet, and covered the head with aluminum foil. The end-product was mostly good, expect for the yellowish oil that seeped through the paper directly around the non-dry clay.

Tuesday, October 19, 2010

Stick Drawings

Today's assignment was to put aside our perfectionist sides, and start out scribbling. We had to draw a pile of sticks, and add shape to the mess. My endproduct felt good, because the process took so much revision. The middle, where the sticks crossed, comprised of probably about 500 layers of graphite. On the outside, I drew sticks that were realistic, eventually shaping the entire clump in the center into a realistic-esque scene.

Monday, October 18, 2010

Found Photos Collage

Title: God Bless America
This was an interesting project. I came back to art class/school from having a bad but brief case of mononucleosis, only to be told that I should make an image with photos that I found looking through magazines. I was immediately drawn to a section in a magazine about a multiple-statewide flea market. The photos taken were colorful collections of toys, clothes, and guns. I liked several of the photos, so I cut them out. The image of all of the mint-condition toy cars was particularly colorful, so a picture was taken on a digital camera and printed out. Once that was out, I layered the original image in the corner of the larger print-out, and another bright collection of toys in the other corner. In contrast, I cut out an assortment of rifles out from another collection, and had them strewn across the bottom. In the center, a cutout of the back of two babies sitting down, with an action speech bubble from one baby, saying "YES!" I'd say that this image represents children in America, growing up in a land of luxury, toys, and violence.

Tuesday, October 5, 2010

The Changing Still Life

What our class did today was definitely not the most fun exercise we've done. We were crowded around a blue box, with easels in front of us, armed with charcoal and pieces of eraser. The box started out with just a jar on top of it. Simple goal: draw what you see, from your perspective. This seemed easy, until things started being added. We had to start erasing, which doesn't turn out well with charcoal. Things were added, then taken away, and we had to keep up with what was going on. The only real-life scenario I can pair this activity with is one of those people who draws defendants in courtrooms, since photos can't be taken. The end product was messy and sloppy on everyone's part, even though we have a class full of meticulous detail-artists. This shows how challenging the test presented to us really was.

Monday, September 20, 2010

Pour Paintings

For starters, I liked the base of my pour painting because it was simple, neat and involved virtually no pouring. I guess that was my downfall, because I had nothing to work with when I realized what the project was actually about. My paper had been stripped of creativity, but I was determined. I thought it looked like an birds-eye view of roads, or a map, so I drew dots to represent cars. Red splotches came to become car wrecks, drip starting points became rotaries. I felt pretty confident until I realized, "Something has to be causing all this chaos." That motivated me to draw a monster that had been eventually taken down by military efforts, but wreaking havoc in the meantime. Bad choice. Bad bad bad bad bad choice. After that had been added, it looked like a crappy doodle from third grade. I couldn't bear to look at it anymore, so I put it away. I really regret adding the military scene in the middle.

Tuesday, September 14, 2010

Talk and Draw

Today's activity was particularly challenging. It was called "Talk and Draw" where a set of items were set behind us and we essentially had to draw a still life based on the description of the picture by a partner. In my case, I had a group of 3. The drawing was quick and easy, and didn't turn out too bad. However, come my (and my partner's) turn to meticulously describe the scene which was set up, trouble arose. We argued over who were to describe it. I personally thought I should, because I described quickly and accurately, and so I did for most of the ordeal. The end product was decent.

Monday, September 13, 2010

Collaborative Drawings

I'd say that my experience with the collaborative drawings didn't teach me a whole lot, considering the way  my original picture was created. Before we knew we'd be switching pictures, I happened to have given my picture a fairly strict story line through words, signs, etc. Therefore, after two people had drawn on my work, the only thing that happened was color added, as well as some other small details. I wouldn't say I was disappointed, considering that my picture wasn't ruined or made a mess of, but I found it interesting how confining a story line to art can be. I'd say that if we did anything along these lines in the future, I wouldn't add words, as to spoil the freedom of a lucrative canvas.

Tuesday, September 7, 2010

art principles 2010-2011: Reflecting on Picasso quote.

art principles 2010-2011: Reflecting on Picasso quote.: "Today we read this quote by Pablo Picasso: 'Every child is an artist. The problem is how to remain an artist once we grow up.' On your blog..."

It seems what Picasso is trying to stress is that all kids have massive creativity. What he's communicating makes a lot of sense to me because in my mind, we, the students of Ms. Robert's art class and art classes all over the world, are the theoretical kids. As we grow up, our creativity is stifled with manners and assimilation into adult society. Picasso is saying that true artists keep the spark of creativity handed to them at birth, and use it to make a metaphorical fire: the art we recognize as masterpieces.